Academic Research
Edited Books:
Wilcox, F. (ed.) 2022. Women’s Music for the Screen: Diverse Narratives in Sound, Routledge: New York. DOI: 10.4324/9780429264924
Industry Reports:
Wilcox, F. & Shannon, B. 2023. Women and Minority Genders in Music: Understanding the matrix of barriers for female and gender diverse music creators. University of Technology Sydney: Sydney.
Book chapters:
Wilcox, F. 2022. Troubleshooting gender in the Australian screen music industry - an insider perspective. In: Grenfell, M. Kouvaris, L. & Williams, N. (eds) A Century of Composition by Women: Music Against the Odds. London: Palgrave Macmillan.
Wilcox, F. 2022. Introduction: ‘We Need to Hear Your Voices.’ In Wilcox, F. (ed.) Women’s Music for the Screen: Diverse Narratives in Sound, Routledge: New York. DOI: 10.4324/9780429264924-1
Wilcox, F. 2022. Songs from the Heart-Lisa Gerrard’s Music for Cinema. In Wilcox, F. (ed.) Women’s Music for the Screen: Diverse Narratives in Sound, Routledge: New York. DOI: 10.4324/9780429264924-11
Wilcox, F. 2022. Composing Women of Australian Television. In Wilcox, F. (ed.) Women’s Music for the Screen: Diverse Narratives in Sound, Routledge: New York. DOI: 10.4324/9780429264924-16
Wilcox, F. 2019. The Maestro of Multiple Voices: The 'Absolute Music' of Ennio Morricone. In Wierzbicki, J. (ed), Double Lives: Film Composers in the Concert Hall, Routledge: London and New York, pp. 117-132. DOI: 10.4324/9780429019319
Wilcox, F. 2017. The alternate space of A.R. Rahman's film music. In Coleman, L. & Tillman, J. (eds), Film Narratives and Compositional Techniques: An Investigation of Contemporary Film Music, Palgrave MacMillan: UK, pp. 27-55. DOI: 10.1057/978-1-137-57375-9_3
Journal articles:
Grayson Cooke & Felicity Wilcox (2022) Audiovisual gesture and spectromorphology: the Invalid Data W.E.S.T. project, International Journal of Performance Arts and Digital Media, DOI: 10.1080/14794713.2022.2101317
Wilcox, F. 2021. ‘The Passion That We Don’t Understand:’ An Interview with Lisa Gerrard. Music and the Moving Image Journal. Champaign: University of Illinois Press. DOI: 10.5406/musimoviimag.14.1.0046
ERA-verified Non-Traditional Research Outputs (NTROs):
Wilcox, F. 2022. Threading the Light (CD; oratorio; 50 minutes)
Wilcox, F. 2022. Currawong Call (solo instrument and tape; 6 mins)
Wilcox, F. 2022. Call and…? (a) Response (trio and tape; 15 mins)
Wilcox, F. 2022. Sound Fields (quartet; 20 mins)
Wilcox, F. 2021. Felicity Wilcox: Collected Chamber Works (CD; 60 minutes)
Wilcox, F. 2021. Tipping Point (septet; 12 minutes)
Wilcox, F., Encarnacao, J., Swanton, L., Cooke, G. and Stevenson, I. 2021. Invalid Data W.E.S.T. (multimedia project: 90 minutes)
Wilcox, F. 2019. Untitled (for acappella voices; duration 2 minutes [portfolio item])
Wilcox, F., Sazdov, R., Garcia, J., and Hughes, M. 2019. Immerse (for viola, cello, electronics and interactive visuals; duration 45 minutes)
Wilcox, F. 2018. SON-ombra (for string quartet; duration 11 minutes)
Wilcox, F. 2017. Vivre Sa Vie: Composer’s Cut (for quartet; duration 16 minutes)
Wilcox, F. 2016. People of this Place (for solo bass clarinet; duration 8 minutes)
Wilcox, F. 2015. EXIT (for flexible ensemble and video; duration 10 minutes)
Wilcox, F. 2015. Uncovered Ground (for octet; duration 11 minutes)
Wilcox, F. 2014. Gouttes d’un Sang Etranger (for viola da gamba, saxophone, electronics, spoken word and images; duration 75 minutes)
Wilcox, F. 2013. Quotet (for piano quartet and animations; duration 11 minutes)
Refereed Conference Papers:
Wilcox, F. 2021. Composing Women of Australian Television. Music and the Moving Image, New York University, forthcoming
Hughes, M., Garcia, J., Wilcox F., Sazdov, R., Johnston, A. and Bluff, A. 2020. Immerse: Game Engines for Audio-Visual Art in the Future of Ubiquitous Mixed Reality. Proceedings of the 5th International Conference on Live Interfaces, Trondheim.
Wilcox, F. 2020. ‘We need to hear your voices:’ Understanding gender inequity in screen music. Hidden Figures of Screen Music and Sound, Royal Holloway, University of London.
Wilcox, F. 2019. Songs from the Heart-Lisa Gerrard’s Music for Cinema. Music and the Moving Image, New York University.
Wilcox, F. 2017. Obstacles and goals toward gender equity in the screen music industry. Women in the Creative Arts, Australian National University.
Wilcox, F. 2016. From set piece to underscore: A.R. Rahman’s evolving approach to song. Music and the Moving Image, New York University.
Wilcox, F. 2015. Audiovisual work as fugue. Musical dialogues-Musicological Society of Australia, Sydney Conservatorium of Music.
Wilcox, F. 2012. Underscore or Overscore? Re-examining the relationship between music and image. Music and Politics-Musicological Society of Australia, Australian National University.
Wilcox, F. 2012. ‘Threading the Light:’ Tracing Spanish music influences in a new Australian work. Spanish Musics and their (Western) Others: Negotiating Identity and Exoticism, Melbourne Conservatorium of Music.
Wilcox, F. 2011. The impact of music on perception within audiovisual art forms. The Power of Music-Musicological Society of Australia, University of Western Australia.
Academic Achievements
formal Qualifications
2016
Graduate Diploma in Education (Music), (Grad. Dip. Ed), University of NSW
2013
Doctor of Philosophy in Composition (PhD), Sydney Conservatorium of Music, University of Sydney
2006
Bachelor of Music in Composition, with first class honours (B.Mus. 1st class hons), Sydney Conservatorium of Music, University of Sydney
academic awards and honours
2022
Discovery Early Career Researcher Award (DECRA): $457,350. For Emergence: Examining gender equity in music via a new contemporary opera, Australian Research Council
2021
School of Communications Research Grant: $5,000. For Women and Minority Gender in Music Study, University of Technology Sydney
2020
School of Communications Research Grant: $5,000. For Women and Minority Gender in Music Study: (CI Felicity Wilcox), University of Technology Sydney
Australia Council for the Arts: $10,000. ‘Resilience’ Grant, for recording of album, Uncovered Ground.
Create NSW: $9,000. ‘Play the City’ Grant, for presentation of Invalid Data W.E.S.T live project.
2019
Kathleen Fitzpatrick Fellowship for female researchers, Melbourne University
School of Communications Incentive Grant: $2,000. For Invalid Data WEST, University of Technology Sydney
FASS R+AMP Funding: For ‘Gender Equity in Music’ engagement campaign, $1,800, University of Technology Sydney
2008-2011
University Postgraduate Award, University of Sydney
2011
Albert Travelling Scholarship, Grant-in-aid funding for doctoral research: $2,500, University of Sydney
2011
Postgraduate Research Scheme (PRSS), Seed funding for doctoral research, $1,200, University of Sydney
2010
Postgraduate Research Scheme (PRSS), Seed funding for doctoral research, $1,200, University of Sydney
1996
Australia Council for the Arts, development funding for Song of the Whirlwind, $1,500